Featured Artists

Sonja DuToit Tengblad • Soprano

sonja_tengblad_color.jpgDescribed as “radiant” by Opera Magazine, recent highlights for soprano Sonja DuToit Tengblad include Shostakovich Symphony No. 14 with A Far Cry, Mahler’s 2nd Symphony with the Boston Philharmonic, Barber’s Knoxville: Summer of 1915 with the Boston Landmarks Orchestra; Monteverdi’s L’incoronazione di Poppea (Drusilla, Fortuna) and Il ritorno d’Ulisse in patria (La Fortuna, Giunone; Grammy-nominated recording with Linn Records), Vivaldi’s Juditha triumphans (Abra and Ozias), and Mozart’s Die Zauberflöte (First Lady) with Boston Baroque; Bach’s St. John Passion and Purcell’s Fairy Queen (2nd Fairy, Juno) and Dido and Aeneas (2nd Woman) with the Handel and Haydn Society; Francesca Caccini's Alcina with the Boston Early Music Festival; Handel's Messiah with the Rhode Island Philharmonic; guest appearances with the Boston Gay Men’s Chorus and Minnesota’s Bach Roots; Puccini's Suor Angelica (Sister Dolcina) with the Lorelei Ensemble and the Boston Symphony Orchestra; and her Carnegie Hall and Lincoln Center debuts, both with the New York City Chamber Orchestra. She was awarded 2nd place in the 2014 American Prize competition’s art song and oratorio division.

A champion of new music, Ms. Tengblad co-curated Modern Dickinson, a touring program featuring all 21st century settings of Emily Dickinson’s poetry that was named the #3 Best Arts Event in Austin, Texas 2015 and nominated for four Austin Critic’s Table Awards. She has premiered and recorded two works with the Boston Modern Orchestra Project, and in 2015 premiered Shirish Korde’s Questions for the Moon with members of the Silk Road Ensemble. A highlight for Ms. Tengblad was appearing in a concert celebrating the 80th birthday of composer Dominic Argento (in attendance) for which the Minnesota Star Tribune reported her to have given “the most affective performance of the evening”. In 2017 she co-founded the soprano/percussion duo Beat Song with percussionist Jonathan Hess.

Ms. Tengblad performs with the Lorelei Ensemble, Blue Heron, and the Grammy-winning ensemble Conspirare and their national tours of Considering Matthew Shepard. Upcoming highlights include a national tour of Julia Wolfe’s Her Story with Lorelei (co-commissioned by Nashville Symphony, Chicago Symphony, San Francisco Symphony, Boston Symphony, and National Symphony Orchestras), as well as a climate change-centered program with Calliope’s Call, Boston’s premiere art song organization.

In 2019, Ms. Tengblad founded Beyond Artists, a coalition of artists that pledge a portion of their concert fees to organizations they care about. With every performance she supports climate change work through Eden Reforestation Project or the Environmental Defense Fund in addition to Braver Angels, an institution that cultivates effective bipartisan conversation. She teaches at Wellesley College and is the founder and coordinator of Mothers Out Front East Boston, fighting for a livable climate for all children.

Jonas Budris • Tenor

jonas_budris.jpgTenor Jonas Budris is a versatile soloist and ensemble musician, engaging new works and early music with equal passion.

He is a featured soloist in Boston Baroque's Grammy-nominated recording of Monteverdi's opera Il ritorno d'Ulisse in patria. He appears frequently in concert with the Handel and Haydn Society as a soloist and choral singer. Mr. Budris also performs in more intimate musical settings; he particularly enjoys singing with such groups as Blue Heron, Cut Circle, Spire, and the Skylark Vocal Ensemble.Mr. Budris is a Lorraine Hunt Lieberson Felllow at Emmanuel Music, where he performs regularly in the Bach Cantata and evening concert series.

On the opera stage, he has performed principal and supporting roles with numerous musical organizations, including Opera Boston, OperaHub, Guerilla Opera, and Odyssey Opera, originating such roles as John in Giver of Light and the title role of Chrononhotonthologos.

Originally from Martha's Vineyard, Mr. Budris holds a degree in Environmental Sciences & Engineering from Harvard College.

Arneis Quartet String Quartet


The Arneis Quartet performs an eclectic range of programs from the standard to contemporary, including commissions of new works and interdisciplinary collaborations in New England and throughout the world.  Known for playing with “a conviction that commands attention” (Fanfare) and “a unique collective sound which is as warm and full of sparkle as liquid gold” (Boston Musical Intelligencer), the quartet is playfully named after the Arneis grape—a varietal that is difficult to grow, but which yields an exquisite white wine.  The Boston-based Arneis Quartet has brought their energetic approach and adventurous programming to traditional concert venues as well as salon-style concerts and community engagement activities since 2009.

Arneis has received critical acclaim for their ongoing Poetry and Music Series, performing musical works inspired by poetry and song with vocalists Tony Arnold, Charles Blandy, David Kravitz, and Krista River. They have performed all or portions of the series at MIT, Boston University, American Academy of Arts and Sciences, and Swarthmore College, and have commissioned new works to further the genre. The Quartet has performed in Shostakovich presentations with New York Times bestselling author M.T. Anderson. They continue to perform each season as part of Emmanuel Music‘s Chamber Series and Late Night at Emmanuel, and have recently made their debut at concert series such as the Harvard Musical Association, Portland Bach Experience, Wellesley College’s Midday Muse, and WordSong. The 2018-2019 season includes a residency at MIT; performances with pianist Joy Cline Phinney and bandoneonist Julien Labro; a premiere of a new work by Aaron Travers (written for Arneis and Tony Arnold); and a collaboration with the Concord (NH) Chorale and composer Nicholas White.

Committed to community engagement and music education, the Quartet has worked with music students at the Boston Arts Academy, Perkins School for the Blind, and the Boston Public Schools. Outside of their Boston home, Arneis has taught master classes and served as a residency quartet at the Boston University Tanglewood Institute, Point Counterpoint, Swarthmore College and Lyceum Music Festival. They have brought their outreach and education programs to communities in California, Michigan, Ohio, and Reggio Emilia, Italy. Arneis performs several times a year at retirement communities throughout the greater Boston area. Quartet members are on the faculties of Boston University and St. Anselm College; the Quartet also works with the Boston Youth Symphony Orchestras where they are the resident chamber music coaches and work with students in the Intensive Community Program.

All alumni of Boston University, the Arneis Quartet has worked with members of the Muir, St. Lawrence, Cleveland, Lydian, Brentano, Emerson and Juilliard quartets. Arneis Quartet has performed with guest artists including the St. Lawrence String Quartet, Marc Johnson, Pamela Dellal, Peter Zazofsky, Ursula Holliger, Jessica Zhou, Kevin Loucks, Michelle LaCourse, and Gabriel Kahane.

Winners of the 2010 John Lad Prize and silver medal at the 2012 International Chamber Music Ensemble Competition, the Quartet has received fellowships at the Aspen Center for Advanced String Quartet Studies and the Apple Hill Center for Chamber Music; other festivals attended include the Juilliard Quartet Seminar, the Deer Valley Emerging Quartets and Composers Program, and the Banff Centre Chamber Music Residency. Committed to new music, they have received a grant from Meet the Composer, performed at the Beijing Modern Music Festival and the Shanghai Conservatory of Music. The Quartet has been featured at the Modulus Festival in Vancouver and Lively Arts Series at Stanford University. A recording of the chamber music of composer John H. Wallace, “Arneis Quartet and Friends”, was released in 2016 on Centaur Records to critical acclaim.

Shiela Kibbe Piano

shiela_kibbe.jpgPianist Shiela Kibbe has enjoyed an international career as recital partner to instrumentalists and vocalists alike, concertizing throughout the United States and Europe, as well as in China, Japan, and Russia.

She may be heard in recordings with Courtney Miller, oboist – Centaur Records (Modern Fairy Tales), Terry Everson, trumpeter – Albany Records (In the Style Of), Stephen Salters, baritone – Qualiton Records (Cyprès label), and the John Oliver Chorale – Koch. She has premiered works by American composers Howard Frazin, Daniel Pinkham, Elena Ruehr, David Sisco, Julian Wachner, and John Wallace, and has been a guest artist for the Center for Advanced Musical Studies at Chosen Vale (trumpet), Eastern Trombone Workshop, Florestan Recital Project, National Trumpet Competition, International Trombone Association, Naumburg Vocal Competition, and WordSong, Inc.

Her performances have been lauded at Alice Tully Hall and Carnegie Hall’s Weill Recital Hall – New York City; Beethoven-Haus – Bonn, GERMANY; Bunkamura – Tokyo, JAPAN; Conservatoire à rayonnement régional – Paris, FRANCE; Jordan Hall and Isabella Stewart Gardner Museum – Boston; Library of Congress – Washington DC; and Music Olympus Festival – St. Petersburg, RUSSIA.

For several years, Ms. Kibbe was rehearsal pianist for the Boston Symphony Orchestra’s Tanglewood Festival Chorus. She has served as principal keyboardist and vocal coach for the Symphony and Opera Association in Chattanooga, Tennessee, and as pianist for the Pennsylvania Opera Theatre, the Philadelphia Woodwind Quintet Seminars, and the International Suzuki Institute in Ithaca, New York.

Ms. Kibbe has worked in Master Class settings with students at the Boston University Tanglewood Institute; Butler School of Music – Austin, TX; Hartt School of Music – Hartford, CT; Ithaca College School of Music – Ithaca, NY; Juilliard School of Music – New York, NY; Princeton University – Princeton, NJ; University of Arizona – Tucson; University of Massachusetts – Amherst; and conservatories in Xi’an and Shenyang, CHINA.

Pianists from her Boston University teaching studio have been selected to participate in national and international festivals including Aspen Music Festival, Brevard Music Festival, Britten Pears Young Artist Programme, Castleman Quartet Program, Collaborative Piano Institute, Franz Schubert Institut, Merola Opera Program, Music Academy of the West, SongFest, SongSource, and Tanglewood Music Center.

Shiela Kibbe served as Director ad interim of Boston University’s College of Fine Arts School of Music from 2016-2019, and currently serves as Chair of the School’s Keyboard Department. Graduates of her studio hold teaching and performing positions with artistic organizations and academic institutions across the United States and in Asia.

Andrea Clearfield Composer/Narrator


Andrea Clearfield is an award-winning composer of music for orchestra, opera, chorus, chamber ensemble, dance, and multimedia collaborations. Clearfield creates deep, emotive musical languages that build cultural and artistic bridges. She has been praised by the New York Times for her “graceful tracery and lively, rhythmically vital writing”, the Philadelphia Inquirer for her “compositional wizardry” and “mastery with large choral and instrumental forces”, the L.A. Times for her “fluid and glistening orchestration” and by Opera News for her “vivid and galvanizing” music of “timeless beauty”. Her works are performed widely in the U.S. and abroad.

Dr. Clearfield is 2020-2022 Composer-in-residence with National Concerts at Carnegie Hall. She is a 2020 recipient of the Pew Center for Arts & Heritage International Artist Residency, was named the 2020 The David Del Tredici Residency Fellow at Yaddo and was awarded a 2020 Helene Wurlitzer Foundation of New Mexico Fellowship. She has received 2021 commissions from The Mendelssohn Club for a cantata funded by the NEA to libretto by Ellen Frankel and a new work for chorus and orchestra for the University of New Mexico in Albuquerque. She was the 2018 Composer-in-Residence at Music from Angelfire Festival, Ida Kafavian, Artistic Director and was named the Steven R. Gerber Composer-in-Residence with the Chamber Orchestra of Philadelphia for their 2018-19 season.

Among her 160 works are twelve large-scale cantatas including Kabo Omowale, commissioned and premiered by The Philadelphia Orchestra. Her 2009 Lung-Ta (The Windhorse) for large chamber ensemble, 2012 cantata, Tse Go La for double chorus and chamber orchestra and 2016 Rabsong Shar for soprano, chamber orchestra and digital audio were inspired by her Tibetan music fieldwork in Lo Monthang Nepal. There she documented the repertoire of the last of the royal court singers with anthropologist and ethnomusicologist Katey Blumenthal. Lung-Ta was presented as a gift to His Holiness the XIV Dalai Lama as an initiative for world peace. Andrea had the great honor of being invited to perform with the Court of the Dalai Lama.

Her first opera, MILA, Great Sorcerer, to libretto by Jean Claude van Itallie and Lois Walden was presented at the acclaimed Prototype Festival in January, 2019 at the Gerald Lynch Theater in NYC. Hailed by the press as “mystical and dramatically compelling”, “a colorful, expressive score”, “lush and rich”, “a sonic exultation with lasting power”, “successfully delivers its redemptive message”, “highly recommended” and “the most accomplished and mature of this year’s compositions”, the opera was commissioned and produced by Gene Kaufman and Terry Eder and directed by Kevin Newbury.

She has been awarded numerous fellowships including a 2016 Pew Fellowship and 2017 Independence Fellowship in the Arts and has also held fellowships at the American Academy in Rome, the Rockefeller Foundation’s Bellagio Center, Civitella Ranieri, Yaddo, MacDowell Colony, Helene Wurlitzer Foundation of New Mexico, Copland House, Ucross, Djerassi, Ragdale, Brush Creek Foundation for the Arts, Blue Mountain Center, Montalvo and the Virginia Center for the Creative Arts among others. She has been invited as Visiting Composer to numerous universities and colleges including the University of Texas at Austin, Curtis Institute of Music, Yale-National University of Singapore, Emory University, Michigan State University, The College of New Jersey, Indiana University, University of Chicago, Temple University, Rimsky Korsakov Conservatory in St. Petersburg, Russia, and was McIlroy Visiting Professor at the University of Arkansas. Clearfield is also in demand as a curator, adjudicator, speaker and concert host.

Dr. Clearfield served on the composition faculty at The University of the Arts from 1986-2011. She received a DMA in Composition from Temple University where she studied with Maurice Wright, was a two-time recipient of the John Heller Memorial Award for Excellence in Composition and holds the distinction of being the first composer in the history of the University to receive the prestigious University-wide Presidential Fellowship. She was honored by Temple University as a Distinguished Alumna. She received an MM in Piano from the University of the Arts and a BA in Music from Muhlenberg College where she studied with her mentor, Margaret Garwood, graduated with Summa Cum Lauda, Phi Beta Kappa and first place awards in Performance and Musicianship and was the recipient of the Alumni Achievement in the Arts Award. Clearfield is also in demand as a curator, speaker and adjudicator for national arts foundations, artist residencies and performance competitions. She has served on the Board of Directors of the Recording Academy (Grammy’s), Philadelphia Chapter.

Her works are published by Boosey & Hawkes, G. Schirmer, Hal Leonard, International Opus and Seeadot and have been recorded on the Bridge, Sony, MSR, Albany, Crystal and Innova labels. Active as a pianist, she performed with the contemporary music ensemble Relâche for twenty-five years. Now completing its 34th year, Clearfield is also the founder and host of the renowned Salon, featuring contemporary, classical, jazz, electronic, multimedia and world music and winner of Philadelphia Magazine’s 2008 “Best of Philadelphia” award. She curates and hosts other Salon concerts around the country.

Thomas Jones • Narrator

thomas_jones_v2.pngThomas Jones, a Coro Allegro board member, has a performance career spanning more than three decades and continues to appear with orchestras, opera companies, choral ensembles, pops concerts and on recital series throughout North America, Europe and the West Indies. He has been teaching voice and vocal performance through the Office for the Arts at Harvard University for 26 years. Richard Buell of The Boston Globe called the vocal and stage presence of Thomas Jones “irresistible.” Anthony Tommasini of The New York Times proclaims that Mr. Jones sings “with plush sounds and musical vigor.” Solo engagements include Santa Fe Symphony, The Los Angeles Chamber Orchestra, San Francisco’s Philharmonia Baroque Orchestra, Boston’s Handel & Haydn Society, The Apollo Chorus of Chicago, The San Francisco City Chorus and Orchestra, The Vancouver Chamber Choir and The Canadian Broadcast Orchestra, The Phoenix Bach Choir, The Phoenix Chamber Orchestra, New York’s St. Cecilia Orchestra, Baltimore Choral Arts Society, The Pacific Chorale and The Pacific Symphony in Southern California, The Louisville Bach Society at The Kentucky Center for the Performing Arts, The Masterworks Chorus and Orchestra of Washington, DC, The Northeastern Pennsylvania Philharmonic Orchestra, The Bucks County Choral Society and The Philadelphia Festive Arts Orchestra under conductor Robert Page. Festival appearances include Saratoga Performing Arts Center, Berkshire Choral Festival, The Shenandoah Valley Bach Festival, Great Waters Music Festival and Monadnock Music. Opera companies include Boston Lyric Opera, The Harrisburg Opera Company of Pennsylvania and Opera New England. In the Boston area, appearances include The Pro Arte Chamber Orchestra, Boston Civic Orchestra, The Back Bay Chorale, Coro Allegro, The Worcester Symphony, The Nashua Symphony, The Masterworks Chorale, and Cape Cod Symphony. Mr. Jones has appeared with well over 150 choruses throughout the US, appearing under the baton of notable maestros such as Christopher Hogwood, Nicholas McGegan and Thomas Dunn.

What We Will Become: A Mother, A Son and A Journey of Transformation by Mimi Lemay

WHAT WE WILL BECOME jacket image.jpeg

A mother’s memoir of her transgender child’s odyssey, and her journey outside the boundaries of the faith and culture that shaped her.

From the age of two-and-a-half, Jacob, born “Em,” adamantly told his family he was a boy. While his mother Mimi struggled to understand and come to terms with the fact that her child may be transgender, she experienced a sense of déjà vu—the journey to uncover the source of her child’s inner turmoil unearthed ghosts from Mimi’s past and her own struggle to live an authentic life.    
Mimi was raised in an ultra-Orthodox Jewish family, every aspect of her life dictated by ancient rules and her role as a woman largely preordained from cradle to grave. As a young woman, Mimi wrestled with the demands of her faith and eventually made the painful decision to leave her religious community and the strict gender roles it upheld.
Having risen from the ashes of her former life, Mimi was prepared to help her son forge a new one — at a time when there was little consensus on how best to help young transgender children. Dual narratives of faith and motherhood weave together to form a heartfelt portrait of an unforgettable family. Brimming with love and courage, What We Will Become is a powerful testament to how painful events from the past can be redeemed to give us hope for the future.